Article Title
Faculty Mentor
Sheila Goloborotko, M.F.A. and Andrew Kozlowski, M.F.A.
Faculty Mentor Department
Department of Art, Art History and Design
Abstract
This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.
Recommended Citation
Fleming, Savannah
(2021)
"The Anxiety of Presenting Identity,"
PANDION: The Osprey Journal of Research and Ideas: Vol. 2:
No.
1, Article 2.
Available at:
https://digitalcommons.unf.edu/pandion_unf/vol2/iss1/2
Included in
Art Practice Commons, Book and Paper Commons, Fine Arts Commons, Gender and Sexuality Commons, Interdisciplinary Arts and Media Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Painting Commons, Printmaking Commons
